Indie Ville TV #19 Camille Rae

Written by Omari Byrd


Before Thanksgiving I had a chance to chat with up and coming talented songstress Camille Rae. After playing a bunch of shows, tons of youtube videos, and hitting her kickstarter goal, Camille has definitely put in the work and is now ready to give Nashville a taste of her brand of country music, containing accents of soul, blues, and even hints of pop and opera!

DA: Camille, you have the perfect country twang! Are you originally from Nashville?

CR: Thank you! I’m originally from a small town in central Kentucky by the name of Mount Vernon, and I’ve been in Nashville a little over a year now!

DA: Great! Well now that you’ve been in Nashville for some time, I’m sure you’ve been inserting yourself into the local scene and what not, what are some of your favorite things to do here?

CR: One of my favorite things to do is going to all of the open mics and meeting new artists! I recently hit a kickstarter goal of $5,000 for my album, so I like to help guide the new artists I meet with advice that I’ve learned because I know how hard it is. Mostly I like to stay home and read books though!

DA: For someone who likes staying in you definitely know how to switch it into star mode on stage! It also speaks volumes for you to help others in such a competitive industry. What is your passion?

CR: Oh I’m most comfortable on stage, and that’s where my passion comes out as well. I love singing my songs and writing them to inspire people. I try to write songs that reach deeper into the soul and talk about things that people don’t say out loud, while still trying to leave it as an open book for my listeners to insert their own thoughts and experiences.

DA: I really like that and I can definitely hear it in your music. You have a record called “Get Outta Town” and it was very emotional and direct, I liked it! Who would you say has inspired your sound?

CR: Well I love country music, and I’m also classically trained in the arts of opera and broadway while always loving to venture in pop or R&B. Those genres have inspired my sound, but artists like Martina McBride, Reba McEntire, and Kelly Clarkson are who I’ve listened to growing up. There’s also a great  jazz artist by the name of Bessie Smith, an African-American lady in the roaring 20’s who wrote and sang about the things that everyone at the time shunned. She taught me to be bold in my songwriting, because it may not be what everybody likes to hear, but it may be what people need to hear.

DA: Wow; eloquently put Camille, thank you. How would you describe your music and how do you want it to come across?

CR: Hmmmm, that’s a really tough question to answer! I classify myself as country-pop, but it’s hard depending on which musicians I work with because the instrumentation changes the genre. My next album is country-pop, but you can find notes of the blues and r&b in my voice so I’m inclined to sometimes call it country-soul. Well when I’m singing live I’d like to be a room-stopper; because if you can stop a live bar in Nashville, then you know you’re doing something right! Everywhere else, I just want people to be able to relate to my music.

DA: Hashtag #roomstopper *laughs*, amazing stuff! Nowadays so many artists come in the game without a solid identity and let the industry shape them, however you know exactly who you are and I applaud that! Let’s say you are now able to make music with anybody ever; who would it be?

CR: There are so many talented artists, so many generations, but I’d have to say Kelly Clarkson. I love her story, her passion, and the fact that she has been and is still uncompromising in her beliefs no matter what. I’d love to do music with her because I believe our outlook on music is very similar.

DA: Hey Kelly Clarkson > Justin Guarini all day *laughs*! Now give me 1 song you’d play for people?

CR: It would have to be “I Need Me”, the album song. It’s slower, and that’s the room-stopper! I think it’s because everyone has something in their life that they can find in that song. I wrote that song as a turning point for my coming to Nashville, and taking a leap of faith. It inspires me when I sing it!

DA: I’m so glad to hear you’re inspiring people to take that leap of faith; the universe will always catch you! Well Camille last question, imagine that I give you a mic and this mic is plugged up to the entire world. What would you say?

CR: Well I’d sing because I want people to hear my music. It’s not for fame or fortune, it’s for you!

DA: Profound, like most of the things you’ve said Camille. You’re a talented professional, I thank you for your time and words, and we look forward to hearing more from Camille Rae!

For music, tour dates, and more info on Camille Rae, check out these links!

http://www.camillerae.com 
http://www.facebook.com/camilleraemusic 
http://www.youtube.com/camillerae539 

Indie Ville TV #18 Ricky of The TIP

Written by Omari Byrd


    This week I was able to catch up with rock god Ricky Dover of The TIP while they’re on tour setting stages ablaze with their 80’s classic, rockstar solo filled music. We discover why they’re called The TIP, how they’re receiving help from above, and how they’ll be filling stadiums in the future!

DA: Dude, I am very ego fueled and your music just pumped me up to another level man! Great stuff! And you’re called The TIP too? Like “just the tip”? *laughs*

RICKY: Yea man hahaha, just like that. But thanks, you should see the live show! We just wrapped up a 2 week East Coast tour with a band called Hammered Satin, it was awesome and very beneficial for both bands. We got paid, made a bunch of connections, and gained some new fans along the way!

DA: You’re clearly getting fans after performing some of this material. I thought it was extreme in the 80’s but your music is like 80’s eat your heart out dude. How long you been in Nash?

RICKY: I’m originally from Knoxville but I moved to Nashville about three years ago, did the RIM program at MTSU, graduated that in 2010 and around that time I joined a band out in Atlanta called The Booze. We were signed to a label, it was fun and great for my career, gained a lot of experience, and now I’m back in Nashville.

DA: Worrrd, very cool. Well what’s your favorite thing to do in the city?

RICKY: Just going around and checking out the other musicians in the city man, the caliber is beyond belief out here. That’s actually how I met the rest of the members! I met the lead singer at a bar in East Nashville, he said “hey man, cool hair”, I said the same, we started hangin’ out and then the rest of the band just formed organically. As soon as we started a Facebook it immediately exploded man, I’m talking producers wanting to work with us, tours being offered, it’s all happening so fast; I love it!

DA: Yea, the universe does seem to be working things into fruition a little faster nowadays, I think it has something to do with the times. Glad to see you taking advantage of it yo! Now let’s analyze your music, what artists would you say have inspired your sound and how would you describe your sound?

RICKY: A lot of 60’s and 70’s rock and roll, The Beatles, The Rolling Stones, and also some modern bands like The White Stripes and The Strokes. I think that back then music was made first and then pushed to markets as opposed to nowadays when they think of the market first and the music second. That’s where we went wrong. As far as my music though, it’s rock and roll first and foremost, but I make sure that it’s edgy and fun. My music’s not “fun” in a silly way, but in a “if I’m not having fun I can guarantee the crowd’s not having fun” way. With every song we write, we attack it with an arena feel and say we’re going to write this as if the whole stadium is singing along. We love having them escape into our music and have our songs take them somewhere else!

DA: Man, word to Kanye West on “Big Brother”, you guys are stadium status. Keep striving and you’ll get there in no time. Speaking of no time, if you could work with any artist ever, who would it be?

RICKY: Great question. There’s so many bands and musicians that I worship and would love to share time with, but if I could get in the studio with anybody it would have to be the late Ikey Owens. He’s a grammy award winning keyboard player who’s played with The Mars Volta, Jack White, and many others. He was actually producing our album with us when he left for a tour and suddenly died of a heart attack of the age of 38. He was such a great guy, he liked our music, and we gelled with him; so if I could work with anybody ever I would work with Ikey. I really wish we didn’t leave our time together so open-ended, so forever I’ll always wonder.

DA: Wow that’s heavy man, thanks for sharing that. I’m sure he’s still with y’all somewhere. Did you get any music down?

RICKY: Yes, he’s definitely still with us, and there’s actually a song he was helping us with that we’re still working on right now called “When I see You”. It’s going to be an amazing record for the album!

DA: Word, I’m looking forward to that as well. Well thanks for chatting with me and giving perspective on The TIP Ricky, just one more question. You’ve got one statement, what do you tell the world?

RICKY: Be true to yourself and others.

DA: Couldn’t of said it better myself. Thank you, and I’ll def tell America to watch out for The TIP!


For music, tour dates, and more info on The TIP, check out these links!

http://www.facebook.com/thetiprock
http://www.reverbnation.com/thetiprock

Indie Ville TV #17 Tyler of Diamond Carter

Wrtten by Omari Byrd

This week I got a crash course in how to be a rockstar after sitting down with Tyler of Diamond Carter. Headman of a raucous, in your face, 70’s/80’s glam rock band with funky vibes, Tyler pulls no punches and speaks on the truth behind his lyrics in this exciting interview!

DA: I’ve got to start out with the videos man; the music’s definitely there, but you’re a funny dude yo!

TYLER: Hahahaha! Thank you man, that’s my aim.

DA: You’re def the life of the party man! As a matter of fact, what are you getting into this weekend?

TYLER: Actually the band and I will be headed back to California this weekend where we originally met; we’ll be releasing new music, getting some rehearsals in, and playing shows. We’re actually going back and playing my old high school which is hilarious, because while I was there they hated me!

DA: WHAT!? You’re at the part in your career when you play your old high school already? Wow!

TYLER:  Yea dude, the triumphant return. They hated me man, but I got a call about 2 months ago from some kids at the school saying they were big fans and wanted me to come to the school and play. The only teacher that was there when I was there is the football coach, and he’s gonna get a kick out of this. It’s gonna’ be a real shit show man!

DA: Hilarious dude; you never disappoint. How’d you get to Nashville and what do you like about it?

TYLER: Well we all met up in Hollywood, they were going to school and I was working tattoo shops on the boulevard, then we clicked as a band. Next thing you know I move to Nashville then call them one night 3 months later, tell them they have to come down and they were just like “alright”! Now that we’re all down here, we love hangin’ out East with the bands we play a lot with, drinkin’, listening to old punk records, gettin’ into crazy shit the night offers. East Nashville is like a college town for punk rockers!

DA: Wow. I’m all for articulating the intricacies of an experience, and that is exactly what the hell is going on in East Nashville; well put! I like to look at Nashville as a new Brooklyn.

TYLER: Yea man, just like that! Except they’re more supportive in the South for sure.

DA: Word. Well Tyler what’s your passion in life, and what artists have inspired you?

TYLER: Well I really love poetry, but NOT spoken word poetry though. I think the only way to do poetry and not sound like a douchebag is to do rock and roll, and that is my perfect medium. The first bit of rock and roll I heard was Velvet Underground, old skateboard videos by Flip helped, that led into Jesus and Mary Jane, Primal Scream, and all types of old school British Rock.

DA: Word. So they inspired your sound, but how would you describe it and who is that sound for?

TYLER: Authentic with no pretenses man, I’m just telling my story man. From sellin’ and doing drugs in Hollywood, to my relationships with women. I just want it to be relatable for people, my real stuff.

DA: And that’s always the best man. We’re all connected, so if you tell the truth you’re bound to find a connection! If you could musically connect with anybody dead or alive, who would it be?

TYLER: It would have to be Ty Segall from Laguna Beach, he was at the forefront of flower punk, that surfy-beachy-punky-60’s type vibe. He’s an expert engineer at washy sounds, and blending the hippie movement with something more hardcore. I love it!

DA: I dig that sound too man, nice! If you could play one song for the people, what would it be?

TYLER: We’re actually putting it out when we go to California, it’s called “God Knows”. It was really rad when we were making it, we had around 40 people in the studio, we did a sing along at the beginning of it, it’s awesome. A depart from our usual debaucherous, drug songs; it’s about making an effort.

DA: Dope. As long as you know you can make it better for somebody else that’s what’s up. Before we depart though I’ve just got to ask man… what’s the craziest thing you’ve ever done!?

TYLER: Shit; a lot of stuff man. Hitchiking, seeing crack dens, selling heroin, playing in illegal speakeasies from 3 to 7 AM, people giving us bumps while we’re playing. Complete debauchery!

DA: Hahahaha! Holy shit dude, you are living the rock life yo; here’s your official stamp! Thanks for tellin’ your story man, we’ll definitely be on the lookout for Diamond Carter!

For music, tour dates, and more info on Diamond Carter, check out these links!

www.diamondcartermusic.com
http://www.youtube.com/diamondcarter69
www.facebook.com/diamondcartermusic
https://soundcloud.com/diamond-carter

Indie Ville TV #16 The World of Blue Matches

Written By Hannah Borrego

Not all bands from Nashville Tennessee carry that country style and Blue Matches is a prime example! This Indie/Punk band is making their mark and burning their way to the top. I had the opportunity to interview Steven Edwards (who is on guitar and vocals) and get a little peak into what keeps Blue Matches flame ignited:

Q- Who is the manager of the band?

A- There is no official manager. However, Steven says himself and Michelle Marston (also on

vocals) would definitely claim that title if it was a set position.

Q- How did the members meet?

A- Michelle and Steven met through ads in 2010. The singer that was originally in place did not

work out, but Michelle fit the part! The other members of the band came together with the

help from friends of friends. “We’re like a dysfunctional family.” Steven shares.

Q- Where did the name Blue Matches come from?

A- There is no real reason for the name. A drummer that was previously in the band had made a

list of names and Blue Matches happened to be on it. It has a double meaning; not only literal

but also emotional, “feeling blue.”

Q- What inspires you to write music?

A- “I can’t speak for the others,” Steven says, “but growing up I listened to indie and punk

music; also just having an emotional connection with music.”

Q- Who are your biggest inspirations; musical or non-musical?

A- The bands Get Up Kids, NoFX, and Fly Leaf are a few of the many musical inspirations. As far

as the writing goes, social issues and past relationships play a major part. There are a few songs

inspired by the everyday pop culture.

Q-Where do you want to see your band in five years?

A- Hopefully doing a tour and being able to make a living just making music. We all currently

have full-time jobs. Definitely hope to be doing more shows. “This coming year (2015) we will

be playing South West, which is a huge step forward.” Steven says.

Q- Have you always wanted to be in the music industry?

A- Yes. “I have a degree in recording,” Steven tells, “and the other band members have always

been involved with music.”

Q-What’s your favorite part of performing?

A- When the crowds get into it. We are very energetic and in your face during performances.

It’s awesome when the crowd sings along.

Q- Who are you trying to reach through your music?

A- It ranges from teens to those in their twenties and early thirties. It originally was aimed

towards those in the mid-twenties and up. However, when they played River Fest they

discovered many of those in the crowd were teens!

Q-What or who are your biggest motivators?

A- The drive to succeed. We’ve put in a lot of effort towards this and we just want to see it go

places.

Q- How was the journey been so far as a band?

A- In 2008, before it was the four of us, it was not so easy. The band has always been Blue

Matches, but the members have been rotated in and out. However, since there’s been a set

group, it’s been a lot easier.

Blue Matches is going to be Nashville’s first rising Indie band! They’ve already played many

venues and will continue to have many more opportunities. This talent can’t be overlooked!

You can find out more on their website bluematches.com. There you can buy

merchandise, learn more about the band, see their upcoming shows, and more!

Indie Ville TV #15 Seraphim Ward's New Album Killing It

HOLLYWOOD HILLS, CA – After winning her high-profile legal battle last year, Seraphim Ward has been able to finally focus on her true passion… music. In June of 2014, on Friday the 13th, Seraphim finally released her highly-anticipated album, “Time Heals All Wounds”. The lead single, "What's the Color of Love (Beautiful Creature)" was the first to be released and fans have been raving of all the raw intensity and passion that Seraphim delivered in the songs intense lyrics.

Ward is known throughout Hollywood for her poetic lyrics, hard-rock edge, and colorful style. Born of Creole heritage and raised in the Southeast, Seraphim struggled as a child to overcome a stutter that, for a time, caused her to withdraw from society. She found an outlet for her rich imagination in books and she delved into literature and began composing her own music in her early teens. Her love for art, performance, and music seemed to hit a ceiling until, at age 15, Sshe made the move to Hollywood, CA. Her unique look immediately caught the eye of a talent manager who helped start her career and she booked modeling campaigns for Kraft, Foot Locker, Macy's, and J-Crew. This initial work led her to the runway as a model for high-end designers and boutiques in Beverly Hills.

While studying film, she began exploring the Los Angeles music scene and was encouraged to record her own material. Seraphim's creative dreams were fully realized with the release of her debut album, “Mute Malevolence”. Adding "actress" to her ever-growing resume, Seraphim starred as "Rachel" alongside award-winning actress Bai Ling (The Crow, Red Corner, Wild Wild West) in the 2013 feature film Speed Dragon. Two hot songs off her new album, "Rebel" and "Bad Behavior" were featured on the soundtrack. 

She is currently filming her first original feature film, Angel One Eye, for which she served as writer, cinematographer and director. Ward produces new music and music videos through her own label and production company, Sin Icon Productions. To learn more about Seraphim Ward visit www.SeraphimWard.com
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http://www.SeraphimWard.com
http://www.SinIconProductions.com
https://twitter.com/SeraphimWardOff
https://www.facebook.com/SeraphimWardCelebrity
https://www.youtube.com/user/SeraphimWardOfficial
https://itunes.apple.com/us/artist/Seraphim-Ward/id890076638

Indie Ville TV #14 The Busks a unique band on the rise

Written by Patrick Roberts











The Busks are a new unique band rising from Tennessee soon to make their way to the top! I had the wonderful experience of interviewing their manager, Fletcher, to get a look into what makes their band tick. The band is made up of five members, Dylan, Jacob, Justin, Wesley, and their manager, Fletcher. But their band didn’t start with all five. Here’s what Fletcher had to say:

Q- How did you come up with the band name, “The Busks?”
A- It was two members of the band, actually. “One day they were just throwing around names.” He says. “They looked at others who had become famous from playing in Nashville on the streets, which is called, “busking,” and they just thought, busks, yeah it works.”

Q- How did the band members meet?
A- Jacob and Dylan have always been best friends. They switched off playing bass and decided they could add some more musical talent; such as drums and a keyboard. Justin, Dylan’s brother in law, eventually joined in. Wesley joined in about ten months ago. “We’re all just friends.” Fletcher states.

Q- Do you write your own songs?
A- Jacob and Dillon do. Justin will write sometimes, but there is never anyone hired to do the writing. It’s all original.

Q- Have you always wanted to be in the music industry?
A- Yes. It’s always been a dream!

Q- What inspires you to play music?
A- Just being so close to Nashville and seeing all the shows. The Beatles are also a huge inspiration.

Q- Where do you hope to see your band in five years?
A- We are hoping to eventually have our own U.S. Tour. Hopefully doing more shows and becoming more popular as time goes on.

Q- How do you promote your band?
A- Through every social media we can. We have Instagram, Twitter, and Facebook. Before shows we use fliers and it’s mostly word of mouth too.

Q- How does music affect you?
A- “It’s a huge part of our lives, it’s fantastic! It is the cornerstone of everything we do.” He says.
Q- Who are your musical/non-musical influences? Who pushes you every day?

A- Friends and family are huge. They are always there. And again, The Beatles.
Q- What’s the best thing about being in a band?

These boys have music in their veins! The passion is there and you can tell through their music. They’re currently in Tennessee anticipating their fame, however, you can check them out on their website, www.thebusksmusic.com. Which has all their social media links! 

Indie Ville TV #13 Nashville Up and Coming Rock Goddes Asheira

Written by Omari Byrd

This week I got the chance to sit down with Asheira, an up and coming rock goddess making noise in the Nashville music scene. Blending classic rock ballads with tunes catchy enough to be heard on your local radio, let’s see what makes Asheira tick!

DA: Where are you from and how long have you been in Nashville?

ASH: I'm the product of a military family so I'm a little bit from everywhere; but I spent 10 years in Mobile, Alabama and fought my way to Nashville,Tennessee and I've been here for about 3 years now.

DA: What’s your favorite thing to do in the city and why is it your favorite thing?

ASH: Definitely music and looking for the right people to work with! I've been collectively writing and co-writing with different people, finding musicians that mesh with my style, and after 2 years of looking for the right people, the band just came together this year and here we are. We've self produced an EP album and released one single that has been getting a buzz on 102.9 The Buzz, and that single has led us to other producers and new opportunities! We're actually in talks with Mark Neill, producer of the The Black Keys Brothers album, it's unofficial as of now but we hope it pans out; it's very exciting!

DA: Wow! Very swagged out, I love the work ethic; it definitely sounds like you're working around the clock. So tell me about the band!

ASH: Well the band is made up of drummer Dustin Roberts, Wade Blair on guitar, Steven Thomas on bass, and Jeremy Brading on rhythm guitar. They're amazingly talented and like family to me.

DA: Beautiful; that's the way it's supposed to be. What artists would you say inspire you?

ASH: I like artists with their own style like Jimmy Hendrix, Jack White, and Led Zeppelin, but especially artists like Dan Fenton of Feedback Revival who inspired me and actually helped produce and co-write some of our songs; I love him. Also I love Jeff Buckley, he's one of the best vocalists ever and the only reason I say that is because his songs are more of a passionate, emotional release. He's mastered his character and that's what it's all about.

DA: I hear you with the "mastered his character" statement... you really know something about mastering a character don't you? What movie are you going to be in again?

ASH: Well yeah, I do act, and I play a lead role in the independent film "Race With The Devil" that will be coming out very soon. Be sure to check me out!
DA: Oh, I surely won't forget! Now that we know who has contributed to your sound, how exactly would you describe your sound?

ASH: I definitely have an eclectic sound of 60's, 70's, and 80's rock & roll, mixed with modernized pop elements and different pieces put together. I get No Doubt, ACDC, and The White Stripes comparisons all the time; I love it!

DA: Wow, I must say your music actually had that effect on me! I definitely caught that eclectic, No Doubt vibe when listening to your single "Riding in Cars". Now if you can describe it, what effect would you like your music to have on people?

ASH: I just want people let go of the corporateness of music and feel cool/have fun! It's no secret that you can go to a show in Nashville and see people  with their arms crossed still standing there. Why!? I want people to be themselves because nobody's perfect, and the imperfections of rock & roll are what make it rock and roll. My goal is just to make Nashville dance again.

DA: Now that's dope; I couldn't agree more on that. As Goodie Mob once said, "they don't dance no mo"! Here's a wild question, say you could work with any artist EVER... who would you work with?

ASH: It would have to be Freddie Mercury of Queen. He's one of my favorite vocalists in the world! He's just so quirky and fun, I know we'd make a high energy record.

DA: Awesome. Insert Freddie Mercury meme here! So I know you've released some songs and you definitely have a lot in the chamber, but which of your songs would you release to the people if you could only choose one?

ASH: I'd probably release our song "Do or Die". It's about letting go of everything in order to do what you love with the people you love to do it with. Life is so short, you've got to do what you love. It's such a positive song, and that's the one I would love to give to people.

DA: Yes. It is all about positivity, and empowering people to do what they need to do, and the fact that you say that now means I know you'll follow up on the mic. That's very cool. Now I have a very serious question for you... soft shell or hard shell tacos?

ASH: Soft shell, because you can have more at one time!

DA: Those are my sentiments exactly! Now Asheira, you have one chance to say something to the entire world. Go!

ASH: I would tell the world do what you love, life is short, and live it with the people you love!

DA: There we go, a cool response from a cool chick. Asheira, thanks for taking time out to tell me about yourself. Be sure to catch Asheira around town at one of her various  upcoming performances at the High Watt, Exit Inn, The End, and 5 Spot. Also check out her music, Facebook, Twitter, and everything else Asheira on www.reverbnation.com/asheira

Indie Ville TV #12 Hunter of the group Specter

Written by Emma Sturgeon


Jacksonville, Tennessee was just far enough away from the Nashville music scene to keep Hunter from being bitten by the music bug in his youth. But when Hunter was fourteen, he was introduced to Nirvana and, like so many others before him, his life forever changed. “I heard their music and haven’t been the same since.” Nirvana, along with The Doors, Jimi Hendrix, Janis Joplin, and an array of other timeless artists initially sparked his interest in music. Hunter’s band, Specter, is a three piece band, including only vocals, guitar, and bass. It has a simplistic feel to it, as if to imply that the lyrics are powerful enough to counteract the lack of musical complexity. For anyone who hasn’t heard Specter’s music, he describes it as a “harmonious combination of blues, rock n roll, Smashing Pumpkins, and psychedelic. But the short answer is alternative rock, if that’s what you’re looking for.” Specter performs at venues around the Murfreesboro area, including Three Brothers. The band prefers smaller venues because of the intimate feel it seems to create for the audience. “It’s a more personal experience for us as well as the audience.” When asked whom his ideal duet would be with, Hunter answered with no hesitation. “Jack White, definitely. He’s simply a master.” Hunter has been busy with “Halo”, a new song he’s writing for the band. He says it’s “more progressive rock than our previous stuff.” They have big plans for the upcoming year, so watch out for Specter in the alternative rock scene.

Indie Ville TV #11 And The Walls of Our City Will Shake by The Colored Parade

Written By Monet Makohoniuk

This past week I had the absolute pleasure of speaking with Andrew Adkins, the musical
genius behind The Colored Parade’s debut album, And The Walls of Our City Will Shake,
that dropped last week.

Listening to the album in its entirety, you get taken for a ride. The music scoops you up,
and you truly do get to be a part of the fun.

Andrew is an artist inspired by many things. This album is simply a conglomeration of
all of those things, beautifully woven together and put into music that we can now be
inspired by also. His musical influences are vast—read anything about him and you will
know that—and his visual art influences are many. I asked him a few random questions
to get an idea of who he is as an artist.

MM: What is your favorite color?
AA: Clear, because you can put anything over it.
[MM: I love that answer.]

MM: Who are your biggest inspirations?
AA: Stanley Kubrick [films/directors]; Beat movement writers Allen Ginsberg and Jack
Kerouac [books]; and artist Jean-Michel Basquiat [visual arts]. And, of course, Nashville!
Everything that is going on, all the music, all of the people. Going to singer/songwriter
nights. Experiencing and being a part of the energy that is the city of Nashville.

MM: Top three favorite movies … go!
AA: 2001 Space Odyssey, Star Wars, Rocky

MM: What inspired the music video for “Hysterically Speaking?”
AA: Everything nowadays is so obvious. The Colored Parade would want to let the song
remain mysterious and stand on its own.

[MM: Let me tell you. This video definitely stands on its own!]
{{{ http://youtu.be/gptIrvhacNU }}}

Music has always been present in Andrew’s life, and before The Colored Parade, he was
in two moderately successful bands (Mellow-Down Easy and Lions for Real), but in the
end they didn’t pull through.

There were tours, fans, Ryan Gosling’s record label, and even Warner Bros., but in the
end, nothing fully panned out for the bands. “It’s sort of like, seeing a bad picture of you
from years ago,” says Andrew. As the true artist he is, he is already on to the next, while
remaining grateful that those bands added another layer to his musical history.

The Colored Parade is Andrew’s first truly solo project. For our sake, I am glad that
the past projects didn’t fully pan out. He played most of the instrumentals on it and
produced it himself. This debut album is a compilation of Andrew’s very colorful music
background and past experiences completely shine through.

And The Walls of Our City Will Shake shakes you down and brings you up. It takes you
on a ride that is mellow and invigorating. I thoroughly enjoyed listening to the album as
much as I enjoyed talking to Andrew.

Check out his album on iTunes!

Indie Ville TV #10 Jet Black Orchid

Written By Emma Sturgeon

A California native and a lover of rock, Gunnar Brittany and his two brothers, Rio and
Jaggar, formed Jet Black Orchid in 2007. Their father, an avid guitar and piano player,
initially peaked the boys’ interest in music. When they decided to form a band later on,
the genre came naturally.

“We grew up listening to classic rock,” says Gunnar. “We would cover Led Zeppelin,
The Beatles and other bands of that genre, so when we decided to write our own stuff, it
just came organically.”

Jet Black Orchid is on the move these days. They are currently residing in Louisville,
Ky., but are notoriously moving around, going wherever their music takes them. The
band’s ultimate goal is to keep classic rock alive, as opposed to the over-produced,
digitized music that seems to be everywhere these days. The brothers have spent the
last couple of months in the studio. “In our new stuff, we experiment with different
sounds, but we don’t stray from our genre,” says Gunnar. “It’s the same band.” Jet Black
Orchid is expected to release their new album in the very near future. For updates, visit
jetblackorchid.com.

Indie Ville TV # 9 Queen City Heist

Written by By Emma Sturgeon

Two years ago, Skye Mangrum was part of a band called Blue Sky Alert, but the
drummer’s sudden wedding engagement initiated a transformation. The band got a new
drummer, a new name, and thus Queen City Heist was born. Their music can be loosely
classified as soul rock. “Our music is like if Paramore, Muse and Santana all had a baby,”
says Skye.

Skye’s exposure to rock came early. The founder of the band was born in Panama City
in the middle of a political riot. “My mother was in labor, and the rioters were literally
rocking the ambulance,” she says. “We had to be airlifted to the hospital.” Protesters
were blasting classic rock in the streets.

The band has spent many tedious hours in the studio the past few months, but Skye says
sit’s been worth it. “Our new stuff is way better than our older tracks,” she says. Queen
City Heist is expected to drop three new tracks in the next couple of months.

Indie Ville TV #8 Look What I did lead singer Barry Donegan

Written By Beau Cooper

Look What I Did is the musical representation of chaos, and I mean that in the best way possible. Yet amongst the dissonant, genre clashing mayhem, this band gives the listener a fresh melodic center to grasp onto. This center may be hard to find, but Look What I Did does this by design. “We make it hard to listen to on purpose,” said vocalist Barry Donegan. Their intention is not to give you the easy route; a three and half minute song focused around basic structure and harmony, but to instead give you a gut wrenching journey that may or may not follow up with a pop song hook. It’s the process of struggle and reward, and Look What I Did is great at doing this.

            The group moved to Los Angeles in the early 2000s due to the “stagnant” music scene existing in Nashville at the time. But Nashville has stretched its ears and opened its mind to a new scene, and for the past seven years Look What I did has continued what it originally began in music city. With a recent show at Exit/In, Nashville has definitely shown a new musical shift, and an interest in even the most niche styles as of music. With the exception of a few technical difficulties, Barry Donegan considers the show an overall great time and success. “If anything goes wrong, act like you did it on purpose.” This is a great piece of advice, especially when encountering the downfalls of technology.

            Looking forward, Look What I Did has a new album on the way, and it’s not just any album. Oh no, this will not be the twelve track, conceptually disconnected, “every song speaks on its own” album we might expect from most bands. Instead, this will be a rock opera. The album will be based on a cartoon skit from the band’s first music video from their first album. Following in the footsteps of their prog-rock ancestors, it will be a plot-driven rock opera that is “inspired by all rock operas”, with no specific influence in mind. The band’s new album will feature surprise special guests, and a guaranteed theatrical sound and performance. The album is expected to be released on vinyl.

            Look What I Did doesn’t care about what’s in, out, cool, or not cool. Their only concern is creating music they enjoy for people that share their musical like-mindedness, even if it is a niche crowd. Singer Barry Donegan says, “We make music that goes against each other.” While their music clashes within itself, it also goes against what is typical in the mainstream and even most local scenes. With a recent show at Exit/In under their belts, writing in the process, and a rock opera on the way, people have a lot to look forward to from Look What I Did. Indie Ville TV

Indie Ville TV #6 High and Late Drummer Jake Costenaro

Written by Josh Baker


Twenty minutes after the scheduled time and five minutes before I was planning on leaving I get a phone call from Goon’s drummer, Jake Costenaro, telling me he just passed the coffee shop we plan to meet at. He finally shows up but since there is nowhere to sit we walk down to the nearest park as he speaks on about who knows what and tries to show me tattoos. We sit down at some park benches near the playground and he fires up a cigarette. We go back and forth about the hardcore bands we’ve seen and grew up listening to. After some small talk and random occurrences things start moving forward.

Goon is the brainchild of Jake and bassist, Josh Hearing. The years led them in and out of bands together or pursuing separate interests. What started those years of band-hopping was when they were in their first band together, The Carry-Out Special. Jake was sixteen years old and only a beginner on guitar. A while after playing guitar for them he sat down behind the drumset one practice session because the drummer was always late. After never having played drums before he found himself at home on the drummer’s throne.

“Any idiot can do this,” he says about the drummer while air-drumming, “why is he always late?”

Fast forward to Goon’s first album, “Guardian”. This full-length was written in the typical broke-musician situation: Jake was living in a storage space after a breakup. They utilized this space to write their debut album and had a friend help them out to record those songs. This friend is Echelon Studios’s owner, Joseph McQueen. The songs were recorded in Alabama and sent out west for production. Their first single recorded at Echelon, “Carry You Home”, made a short trip from it being recorded to airplay. Twenty-four hours after recording the song it was in circulation on 102.9, “The Buzz”. Those hours break down like this: eighteen(18) hours to record, mix, master, blah, blah, blah, and six(6) hours to find it’s way into the hands of the people putting it on the air for the ears of the listeners to hear. Jake was obviously surprised when that happened, “We’re not touring famous with our own t-shirt company but, wow, we’re on the radio.”

Goon took advantage of an appreciable quick turnaround and released their next single, “Due To Me”. This song won them such a following that Goon had to retire from the voting boards since they won so often. In 2012 they were voted 102.9’s, “Band of the Month”, three months in a row. That same year they won “Band of the Year”.

They haven’t had much of a live presence during the life of the band(2011-present). Their last show was Halloween of 2013. But, what they may lack in quantity they make up for in quality. Goon’s first show was opening for The Misfits with subsequent shows opening for Saliva and Saving Abel.

Fans have been asking the members of Goon(Guilty Of Our Nature) when they are going to start playing out again. And, those fans just may have their answer. Jake mentions that this Fall (2014) is when Goon will be picking up where they left off last year. But, this time around they are slightly altering their sound. It’ll be a mix of Goon and classic hardcore with influence from the direction he says new punk is going, “dreamy guitars over syncopated rhythm with aggressive vocals”. Basically, that sound translates into hearing distorted machine gun firing while you are steadily and endlessly backflipping through space with someone shouting at you. Alot.

“I just want people to move”, Jake says about the anticipation of getting new material out there, “I want kids to fucking lose it.”

They are currently working on an ‘E.P.’ that kids will probably fucking lose it to. Unlike “Guardian” this new collection of songs will be a more structured release thus giving them an opportunity to build a supporting live campaign. Will it happen? I don’t know.

So, here’s Goon’s line-up:
-Josh Hearing, Bass/Vocals
-Jake Costenaro, Drums/Vocals
-Steven Jackson, Guitar/Vocals
-Johnny Fiction, Guitar/Vocals

Yeah, everyone does vocals. Want to know why? I have a quote from Jake to answer that question, “I like the thickness of group vocals. It really pushes the sound.”

I found my way through Jake’s blabbering-about-whatever-it-was to get what you readers (you) need to know about Goon. So, remember, even through my babbling, that Fall-2014 is when you can start looking for these guys.

Will you like them? IF you like these artists, or even if you don't, you may: As I Lay Dying, Norma Jean, Every Time I Die, Underoath, Fear Before The March of Flames, Being as an Ocean, Sofia

Twenty minutes after the scheduled time and five minutes before I was planning on leaving I get a phone call from Goon’s drummer, Jake Costenaro, telling me he just passed the coffee shop we plan to meet at. He finally shows up but since there is nowhere to sit we walk down to the nearest park as he jabbers on about who knows what and tries to show me tattoos I don’t want to see. We sit down at some park benches near the playground and he fires up a cigarette. We go back and forth about the hardcore bands we’ve seen and grew up listening to. After some small talk and random occurrences (him making me listen to bands he’s currently into that I didn’t ask about) things start moving forward.

Goon is the brainchild of Jake and bassist, Josh Hearing. The years led them in and out of bands together or pursuing separate interests. What started those years of band-hopping was when they were in their first band together, The Carry-Out Special. Jake was sixteen years old and only a beginner on guitar. A while after playing guitar for them he sat down behind the drumset one practice session because the drummer was always late. After never having played drums before he found himself at home on the drummer’s throne.

“Any idiot can do this,” he says about the drummer while air-drumming, “why is he always late?”

Fast forward to Goon’s first album, “Guardian”. This full-length was written in the typical broke-musician situation: Jake was living in a storage space after a breakup. They utilized this space to write their debut album and had a friend help them out to record those songs. This friend is Echelon Studios’s owner, Joseph McQueen. The songs were recorded in Alabama and sent out west for production. Their first single recorded at Echelon, “Carry You Home”, made a short trip from it being recorded to airplay. Twenty-four hours after recording the song it was in circulation on 102.9, “The Buzz”. Those hours break down like this: eighteen(18) hours to record, mix, master, blah, blah, blah, and six(6) hours to find it’s way into the hands of the people putting it on the air for the ears of the listeners to hear. Jake was obviously surprised when that happened, “We’re not touring famous with our own t-shirt company but, wow, we’re on the radio.”

Goon took advantage of an appreciable quick turnaround and released their next single, “Due To Me”. This song won them such a following that Goon had to retire from the voting boards since they won so often. In 2012 they were voted 102.9’s, “Band of the Month”, three months in a row. That same year they won “Band of the Year”.

They haven’t had much of a live presence during the life of the band(2011-present). Their last show was Halloween of 2013. But, what they may lack in quantity they make up for in quality. Goon’s first show was opening for The Misfits with subsequent shows opening for Saliva and Saving Abel.

Fans have been asking the members of Goon(Guilty Of Our Nature) when they are going to start playing out again. And, those fans just may have their answer. Jake mentions that this Fall (2014) is when Goon will be picking up where they left off last year. But, this time around they are slightly altering their sound. It’ll be a mix of Goon and classic hardcore with influence from the direction he says new punk is going, “dreamy guitars over syncopated rhythm with aggressive vocals”. Basically, that sound translates into hearing distorted machine gun firing while you are steadily and endlessly backflipping through space with someone shouting at you. Alot.

“I just want people to move”, Jake says about the anticipation of getting new material out there, “I want kids to fucking lose it.”

They are currently working on an ‘E.P.’ that kids will probably fucking lose it to. Unlike “Guardian” this new collection of songs will be a more structured release thus giving them an opportunity to build a supporting live campaign. Will it happen? I don’t know.

So, here’s Goon’s line-up:
-Josh Hearing, Bass/Vocals
-Jake Costenaro, Drums/Vocals
-Steven Jackson, Guitar/Vocals
-Johnny Fiction, Guitar/Vocals

Yeah, everyone does vocals. Want to know why? I have a quote from Jake to answer that question, “I like the thickness of group vocals. It really pushes the sound.”

I found my way through Jake’s blabbering-about-whatever-it-was to get what you readers (you) need to know about Goon. So, remember, even through my babbling, that Fall-2014 is when you can start looking for these guys.

Will you like them? IF you like these artists, or even if you don't, you may: As I Lay Dying, Norma Jean, Every Time I Die, Underoath, Fear Before The March of Flames, Being as an Ocean, Sofia

Indie Ville TV

Indie Ville TV #5 Alicia Smith is in pursuit of a successful music career on her own terms

Written by Josh Baker

The success, exposure, and abundance of the music industry can be anyone’s fuel to pursue it so feverishly. In fact, here in Nashville there is a singer, songwriter and musician pool the size of the Atlantic. Everyone drifting in that pool is waiting for whatever ship, with whatever label name printed on the bow, to sail by and pick them up. Alicia Smith is calmly floating outside the crowds of those folks who are waving their arms frantically. Out here is where she is making the best of a seemingly difficult place to be and not just taking what comes her way.

As you will begin to find out, Alicia is the type of artist who is about taking on the music industry from the grassroots angle while maintaining her personal values. She doesn’t mind if a record label passes on her because she chooses to stand beside what she believes instead of giving it up to sign to them. A big part of who she is and how she wants to be seen in the spotlight is because she knows success can come to those who stay true themselves without succumbing to what they need to be marketed as. It’s not about being flashy. It’s about putting in the work and getting out there and giving it everything you’ve got with everything, within reason, you’re able to offer. She won’t just settle on a label who isn’t on the same page as her.

“I have friends who get overwhelmed, stressed, or anxious about wanting something like a record deal and it’s not all about that”, Alicia begins in an almost-empty coffee shop, “If you put all your weight on whether you’re successful or not based on what you’re signed to then you probably won’t be happy because you’ll probably sign for anything.”

From avoiding prairie dogs while chasing her sister on a bike through fields in North Dakota to growing up in a sheltered, Christian environment, Alicia’s foundation of humility isn’t hard to miss. Staying modest in this industry can be tough with values even tougher to hold on to. Even though she sometimes gets backlash from the sheltered people she used to know because of the less-than-offensive things she does (playing in bars or drinking) she doesn’t let that stop her, “I have my own convictions and I’ll deal with them.”

The pivotal event that caused her to pick up guitar and learn her first song, Bob Dylan’s “Knockin’ on Heaven’s Door” was when a close friend died. This was an eye-opening experience of learning that life can be cut short. Losing someone that close to her drove her to go after the things she wants. Years after her friend’s death she took that momentum to Chattanooga, Tennessee, and started her move to pursue music professionally. Four and a half years later, and a divorce in between, she is in Music City with an entertainment resume that is continuing to grow.

Not only is Alicia a recording artist but she is also an actor and published author. She has been in PSA’s, lawyer commercials, the horror film “Worm”, and Darius Rucker’s music video for the song “Wagon Wheel”. These opportunities outside of music have brought on different opportunities for her music. A director she worked with before contacted her about auditioning for a role in his upcoming horror film (Alicia is a huge horror film fan). Unfortunately, she wasn’t able to make the casting but she did get offered the next best thing: her music to be placed in the film.

The variety of entertainment gigs she is getting involved in hasn’t gone unnoticed. Her manager let her know that record labels are watching her. Knowing that doors may start opening around her she keeps pressing forward through songwriter’s nights and unpaid gigs. Paying these dues is something she knows she must do and does so happily. When asked what makes her stand out from the other female artists at those songwriter’s nights and Broadway gigs she confidently replies, “You can only get one of me.”

Alicia Smith has the attitude and confidence of a woman who won’t stop until she gets what she wants. She’s realistic and knows that not everyone will like her music. “They either like me or they don’t.  I feel like it’s over-thought in this industry. It comes down to this: if no one wants to listen to me then they can turn off the radio or thumbs-down me on Pandora radio.  If they do want to listen to me they’ll go buy my stuff or thumbs-up it.”

Accepting this fact has pushed her even deeper into optimism while taking the music industry in stride. She knows that they are often looking for characters or some industry ideal of what is marketable instead of humble talent. Her audition for “The Voice” made it even more clear to her that this is the case. The producers found her through her YouTube videos and asked her to come in for an audition. She received great feedback from everyone on the panel except from one bald man who didn’t look up at her until he asked her what her age was. If she were sixteen-years-old she would have made it through. Alicia simply brushed it off saying, “It doesn’t mean you’re not talented--they just don’t want you.”

That is a perfect example of the good ole music industry’s stereotypes and how Alicia doesn’t let it phase her.  Her confident presence and positive attitude will keep her out there for every and anyone who wants to listen. Keep an ear out for a project she is working on with a group in LA that involves a rapper and a future album that will push her outside of the genre constraints of her previous E.P., “Welcome to Reality”.

As far as focusing on her outfits or being some flashy, dancing, pop-glam girl in skimpy clothes, she leaves us with this, ““I’ll be one of those people that people will research. And I believe that when they find out more about me and my past and if they ever meet me one on one, that’s where they’ll become a fan.”   INDIEVILLETV

Indie Ville TV #4 Life with The Whippoorwills

Written by Cora Bennett

Much like the well-known bird, The Whippoorwills music is vigorous and distinct. Since late 2012, Heather Gray (vocals), Ryan Jackson (guitar), and Kevin Carter (drums) have been creating beautifully harsh melodies together and signed with Mattress House Records in the summer of 2013.
Carter and Jackson are both native Tennesseans, while Gray is originally from Modesto, CA.
“I experienced some culture shock when I moved out here to Nashville. I guess my decision to move was honestly just based on the desire to leave behind what I knew and start a new life. I really had no intention, or ever expected that I would end up playing music out here. It’s been quite a ride so far.” Commented Gray. Jackson grew up in Brush Creek, which is a small town about an hour east of Nashville. He moved to Nashville because there was simply nothing to do in Lebanon. “I mean, Nashville has those pretty lights, big sounds, and busy people. Brush Creek had cows.” said Jackson.
The Whippoorwills know that as musicians, they have to be ready for disappointments. They use rejection as a learning tool, try to see what they could have done differently while staying positive and not giving up over someone el
The house shows that The Whippoorwills have played are the most memorable to the group. “It's just a good rowdy time with a bunch of people going nuts and usually breaking stuff. There's something pure about it, you know everyone is there to just have a good time and listen to music.” The group commented. They like playing the larger venues such as the Exit/In and the Rutledge, but really love playing anywhere that has a crowd that’s ready to have a good time. 
    When asked about what they want audiences to know about their band, the group replied “Our music is pure and not corrupted by desires to be rich or famous. When the three of us get together to write and perform, it’s a very natural feeling and we don’t over think things or worry about our sound appealing to anyone. Our sole intent is to just create the music that already exists inside of us. We are artists because it’s something that our little family feels we need in order to survive the things in this world that are petty, yet seem so inescapable.”
    The Whippoorwills album is currently being mixed and mastered by their good friend and awesome engineer, Jason Mott. The release date is aimed towards the end of March, 2014. If you’re looking for a jagged, raw beat to add to your playlist, be sure to check out this talented group!  

se’s opinion. It’s easy to let rejection get the best of you, but it’s detrimental to growth. Inspired by bands such as The Rolling Stones, Bob Dylan, Led Zeppelin, Cage the Elephant, Chuck Berry, The Talking Heads, Iggy Pop, Beck, the list is ridiculously long and covers various stages of the bands lives.  INDIEVILLETV

Indie Ville TV #3 Front man Michael Roe of Daisyhead

Written by Cora Bennett

Currently on tour with bands Cove and Nest, Nashville's established punk band Daisyhead is gearing up for a crazy summer. Scratch that, more like a crazy year! Daisyhead, who is signed on with No Sleep Records, has a packed touring schedule and will also be performing at the 10^th Anniversary of Bled Fest in May 2014. With thousands of current fans, more fans are jumping on board with each heart-thumping performance. I recently had the privilege of interviewing front man Michael Roe to enlighten fans about their history, as well as their future plans and aspirations. Here is what I got for you!

CB: Where are you and the rest of Daisyhead originally from?

MR: We are all from Nashville. I grew up in Memphis, but Nashville is definitely my home now.

CB: So how did you pick the band name, Daisyhead?

MR: Daisyhead actually came from a Dr. Seuss book.  I used to be in a band called Friends, who at the time had to change their band name because of another band with the same name.  I suggested we look through Dr Seuss books and characters, because I had done that with a past project I did, haha.  We came across the book "Daisy-Head Mayzie", and thought Daisyhead would be a cool name.  I ended up leaving the band, and they became what is now Better Off. When this band formed, I figured WE could use that name since Better Off didn't, and here we are!

CB: How old were you when you started getting involved with music?

MR: My parents had me singing with them in Church and stuff when I was really young, like before the age of ten.  I voluntarily started getting involved when I was around 14.

CB: When did you realize that you wanted to be a singer?

MR: This kind of ties in with the last question..  When my parents were having me sing, I really didn't want to do it. As I got older and got into punk music, I found more and more of a desire to sing and perform.

CB: Do you play any instruments? If so, what is your favorite?

MR: I do, I play guitar for Daisyhead as well.  I definitely want to get into piano once I settle down from touring and have the time.

CB: How long has your band been playing together, and what brought you all together?

MR: Daisyhead has been a band since August of 2012. A couple of buddies of mine wanted to start a rock side project to a hardcore band they were playing in, and asked me to sing for it.  We just started it up for fun, but we got lucky enough for it to catch on.

CB: What message does your band want to convey to its audiences?

MR:  I guess if I were to choose to relay any kind of message to where I can relate with listeners, it would be that no matter how lame life is at any given time, there are others out there who feel the same as you. 

CB: What band or artist inspires you the most?

MR: I am personally very deeply inspired by Yellowcard.  On a musical level, they have never let me down, and I like knowing that a band can still write good music even when they have been at it as long as they have.  Also, they are very nice to their fans, and are super respectful, which is a huge plus.

CB: Did you have a lot of support from family and friends when you became a musician?

MR:  The amount of support I have gotten from my friends in the Memphis and Nashville scenes are the reason I'm able to do what I'm doing.  My family has also been very supportive, for sure.

CB: How have and your band dealt with rejection thus far in your career?

MR: We honestly haven't had to deal with much rejection, but that is mainly because we haven't reached out for anything.  Everything that has happened with us has been offered, and I feel so lucky to be able to say that.  I know we have been submitted for some tours that we didn't get, but we try not to get our hopes up too high and just be thankful for everything that happens, whether we feel we deserve it or not.

CB: What has been Daisyhead's most memorable performance thus far?

MR: I can honestly speak for everyone in saying our most memorable performance was our set at The Balcony Bar in Auburn, Alabama. We did a short run in January with a band called Pillow Talk, and we had an unbooked date.  I posted on a Facebook group asking about a show in AL or GA, and we were directed to this bad-ass dude, Lance.  He set us up immediately... Like literally within 30 minutes of me messaging him on Facebook, we had a show.  The spot is right next to the Auburn campus and it was on a Saturday night, so the show packed out.  The people who worked the bar and the show were all so awesome, and it was definitely the coolest crowd response of that run. Very thankful for that night.

CB: Where is your favorite place in Nashville to perform, and why?

MR: Our favorite place in Nashy is a place called The End. We love the shows we play there, the sound, the atmosphere, and the people.  We've played some really cool shows there with some really cool bands. We feel most at home at that venue.

CB: When can the fans expect an album release?

MR: We just released a split with Have Mercy on No Sleep Records on February 25^th, but we will be in the studio recording a full-length by the end of this year!

Be sure to check this band out at www.daisyheadtheband.tumblr.com

http://www.indievilletv.com   

Indie Ville TV # 2 Kickback with Stephen Gillean

Written By Logan Judge


Founded by Nashville native Stephen Gillean in 2013, Kickback is a coastal and street wear clothing company with a passion for making high quality apparel for our customers and impacting new entrepreneurs. He came up with the name Kickback because it fit with the style they were trying to achieve and they wanted to “kick back” to other entrepreneurs. They give their own special Nashville kick to the typical urban skater look. Fashion is becoming a huge deal in Nashville these days, and it’s only going to get bigger the more the city grows. Kickback loves to create clothes as well as impacting our community. “As an entrepreneur at heart, Kickback feels it’s only right to empower and help others. With each item sold, Kickback 'kicks back' a portion of the profits to help an entrepreneur either launch a business or create extra income. We believe small business is the backbone of America.”  Check out their website to see their latest products and hear more about latest recipients. They are a clothing brand with a vision to support small and young businesses because they believe in America’s entrepreneurial spirit.. I love everything that this label stands for. Although the brand is fairly new, I see great things for them in the future. Keep your eyes and ears out for this brand, because they have wonderful potential and a great business plan! You can check them out at wearkickback.com!   Indie Ville TV

Indie Ville TV #1: Daniel Schafer /We Are The Finale

Written By Cora Bennett

If you haven’t heard of them yet, it’s only a matter of time. We Are The Finale is a local Nashville rock band featuring wildly talented front-man, Daniel John Schafer. If you haven’t been fortunate enough to see them live at various venues like Exit/in or The Rutledge, do yourself a favor and go. Whether you’re a fan of rock music or not, the energy and enthusiasm of this group alone will suffice your musical craving. The raw talent and connection this band has created pulses an electrifying vibe throughout the audience. And if you’re still on the fence about becoming a fan, read what Daniel had to say about his group and try not to fall under the WATF spell, I dare you.  

CB: “Where are you and the rest of your band originally from?”

DJS: “I am one of the rare native ‘Nashvillians’. I was born and raised here. The rest of us come from all over. Bradley is originally from Mississippi. Matt spent most of his life in Georgia. J.D. is from West Virginia, Ronnie is from Alabama and Freddy is from outer space ;)”

CB: “How old were you when you started getting involved with music?”

DJS: “Well for me, music is kind of a family curse. Both my parents were professional musicians. My dad had two record deals of his own and he's played for countless country stars for the past 30 years. My Grandfather, Aunts, Uncles. It's in the blood so honestly I can't really remember a time in my life when I wasn't doing music. If I had to guess I'd say 3 or 4 years old?”

CB: “What was the key moment in your life when you knew you wanted to be a singer?”

DJS: “Well I really wanted to just be a guitar player originally. I started off playing Bass guitar when I was about 11. Switched to guitar around 16 and while I was in high school I formed a band called Falling For Yesterday. We started writing songs and I became the singer pretty much because no one else wanted to do it! We were all pretty shy back then. Then, once I got a taste of the spotlight I was hooked. I dropped the guitar and just became a front man. I'm a spotlight junkie.”

CB: “You mentioned earlier that you play guitar. Do you play any other instruments?”

DJS: “I'm kind of a Jack of all trades but a King of none (haha). I play a little guitar, bass, drums.”

CB: “Which is your favorite instrument to play?”

DJS: “My favorite instrument is the piano, even though I can't play it at all. To me, if you can't strip a song down to just the voice and the piano… Then it isn't a good song. That's why Bradley is kind of like the ‘secret sauce’ of the band.”

CB: “How long has your band been playing together, and what brought you all together?”

DJS: “We've been together for a little over a year, but it really all started back in early 2012. I used to co-host Writer's Night at McFadden's on 2nd Ave. I was trying to put together a portfolio of songs and get a gig as a staff writer somewhere. Bradley was one of the writers who would show up and play original tunes and he used open tunings (which is kind of our thing) and he had this soulful, bluesy voice. He was amazing and I knew he was killer on piano, so we pretty much clicked instantly. He's my best friend in the world. J.D. was actually the bartender there at the time and I knew him through both of our previous bands. He was in a band called The Compromise for almost 10 years and he was looking to move right into the next musical phase of his life as that was ending. After Daybreak Drive stopped playing, I was involved in nearly a dozen short-lived projects and in one of the pop projects I was doing, I met Freddy. That was probably back in 2009 I think. So I brought him back down from orbit to join We Are The Finale. Matt Furr was a similar situation. We had talked about putting a band together through emails and had met up a few times to hang out or jam, but nothing really came of it. I originally put this band together to simply make recordings of my solo stuff so I could pitch it as a writer. Then, we all saw how well we meshed together and the band took on a life of its own. Our original was Matt Naff. He had been my drummer in Falling for Yesterday and Daybreak Drive. Matt was pretty burnt out on the music scene and was only with the band for a few months before we got Ronnie. That's when everything started to flow naturally. The writing. The shows. The fan response. Ronnie was the missing piece to the puzzle and we've been firing on all cylinders ever since.”

CB: “So what happened with your previous band, Daybreak Drive?”

DJS: “Well, Daybreak Drive was originally Falling For Yesterday. We signed a production deal with Sony/BMG producer Rob Graves as FFY back in 2005. Rob is a great guy and a wonderful producer. At the time, he had just finished the first album from the band RED. When their album debuted, I don't think anyone expected it to big as big as it was. It ended up taking us almost 2 years to record 6 songs because Rob was just so busy. I handled the situation pretty poorly. I was very upset that FFY wasn't getting the attention I thought we deserved and I was pretty vocal about it. So, young and stupid basically. We decided to leave the deal, change our name to Daybreak Drive and write a little bit more mature brand of hard rock. Our fan base took a hug hit when we changed our name. Falling for Yesterday had semi-national recognition and Daybreak Drive just went back to being a ‘local band’. That took its toll on all of us. We never really broke up, we just kind of stopped playing together and all moved on to different projects. I absolutely love each and every one of those dudes. We made a lot of great memories that I will cherish until the day I die. Honestly, I don't think it will ever ‘die’ cause it was such a big part of our lives. There's still some Daybreak Drive left in the future I think.”

CB: “What message does your band want to convey to its audiences?”

DJS: “We Are The Finale literally means: This is the end all be project for us. We give everything we have to this band. Blood, sweat, tears, money, time, everything. It's not just 6 rock dudes playing songs together. We put all of who we are into this art. It's one collective mind. The message behind all the guitar riffs, harmonies and screams is this - Do what makes you happy and put everything you have into your dreams. No matter what anyone says. When you die, you leave this world with memories… Not money. You only get one shot at it, so make it your best.”

CB: “What band or artist inspires you the most?”

DJS: “Well for me, my dad (Dan Schafer) is my biggest influence as a musician and as a man. He is my absolute hero and if I am considered to be half of the musician/man that he is, I will be lucky. As far as bands that influenced my sound and how I am as a singer, I would have to say Daryl Palumbo from Glassjaw is my biggest influence by far. Brandon Boyd of Incubus was also crucial in my development. Chino Moreno from Deftones, and Bert McCracken from The Used are in there too. Not to sound cliché, but Michael Jackson was pretty much the only thing I listened to until I discovered Nirvana in the 8th grade. The other 5 guys in this band are also a constant inspiration. I just love music, and all of it inspires me.”

CB: “Did you have a lot of support from family and friends when you became a musician?”

DJS: “Yes - Constant support. I am very, very lucky to have the family and friends that I have. Plus, there are 6 of us (lol). So we have a pretty strong internal support system and I honestly consider Bradley, J.D., Freddy, Matt and Ronnie to be my brothers. All of our families are so incredibly supportive of our dreams and aspirations. Now that I'm doing this interview, I can take a step back and it's pretty emotional to think of how many people are close to us and believe in us as much as they do. We are very blessed. Very lucky.”

CB: “How have you dealt with rejection thus far in your career?”

DJS: “I think in any walk of life, no matter what your dreams are, rejection is a natural and healthy thing. If everyone always loved everything you did, how would you ever grow or learn? That being said, it sucks (haha). It totally sucks! But I have been lucky to be given a second chance. I had a deal with FFY. We were selling out places like Opry Mills mall, playing Warped Tour, playing the Journey's Backyard BBQ. I was greedy and mouthy, and I pretty much let my ego throw that away. Now, I'm lucky enough to get a second shot. If I hadn't had that rejection and made those mistakes, who knows if I would even be here right now? So I guess the answer is, rejection sucks but it is a must to develop and grow.”

CB: “What has been your most memorable performance thus far?”

DJS: “At the risk of sounding completely cliché (again), every time we play together. It’s a new experience every time. It's a new emotion every time. I think some of my personal favorite moments are just us jamming out in Matt and J.D.'s living room. It really is magic to me every time the 6 of us get together and make noise.”

CB: “So where is your favorite place in Nashville to perform, and what makes it great to you?”

DJS: “Exit/in. It sounds great there, and people like going there. It has this awesome Rock & Roll nostalgia feel to it. Like Nashville's CBGB's, but with a much better smell (haha). Second place has to go to The Rutledge. Andy, Frank and I go way back and it's always a pleasure working with those guys. Honorable mention: The End (AKA: Exit/in Junior).”

CB: “What can the fans expect from the new album to be released later this year, The Magic Show?”

DJS: “I am SO excited about this. We decided to take a different approach to marketing our music, other than the normal tired rock band way. For fans of rock music, there are generally 3 different types of ‘fans’ out there. First, there are people who hear a song on the radio, Pandora shuffle, Sirius XM, etc. They like the song, they buy it online and listen to it in a shuffle with a bunch of other artists. Then, there are the local junkies (who most of the time are musicians themselves), who go to a lot of shows and actually buy CDs to support the scene; But they don't want to pay more than $5 for a CD.  So, EPs are the way to go. Lastly, there are the die hard, tried and true band fans that are super loyal and buy full length albums and listen to them straight through alone in their room. They buy every shirt, every sticker, everything. The Magic Show will be the best of all 3 worlds. We are releasing the full length album in 3 movements. So essentially, three 5-song EPs. Each EP will have a radio single and music video. Once all three movements have been released, we will re-package the whole thing as a full length album with extra tracks, stripped versions of songs, dance remixes of the songs, as well as a full length DVD. The DVD will show our story of how we made the album, how much it means to us, and it gives fans and audiences a chance to really see who we are as people. So really, no matter how you personally like to find and listen to new music, we will have all 3 options available. 2014 is going to be an awesome year for WATF, and we are super stoked to share it with you!” INDIEVILLETV